Here are seven poems I discovered tonight in an old abandoned Word document called “Songs.”
The House
Pamela says that’s cheating
You can’t be closing your eyes
You’ve got to go inside with your eyes real wide
If you want to say you’ve been here
Richie says he’s sorry
For coming here with a camera
Some things are sacred when your soul is naked
This is no documentary
The house is old and sits behind
The Burger King on 409
It’s been for sale since ‘81
So you know that’s been a long time
Pamela says she hears them
Shuffling in the attic
Those can’t be bats and those can’t be rats
It’s the sound of retribution
Richie says let’s leave here
While we still can walk away
We’re much too young, let’s turn and run
Before it gets too late
I Feel Like Dancing
The cartilage has a history
The candied yam does too
The death of reason took too long
Now I feel like dancing
But oh the places I’ve seen
Days I wore nothing but green
Singing sea shanties with aliens and DJs
Those were the times, the rooftop days
The calendar skipped two nights
Tomorrow should be Monday
Negotiations feel like labor
Now I feel like dancing
But ooh the mornings I’ve slept
While women coughed and children wept
Mopping the floors of fleas and flowers
Those were the times, the rooftop hours
But it was only a minute
Or two or maybe ten
The man told a story of Steven Spielberg
And then we went downstairs
Hollywood in our hairs
The cookie jar is cracking
The chocolate chips have eyes
The bride wore blue with yellow shoes
Now I feel like dancing
But dang the songs I have ruined
With piano keys dead and untuned
Children screamed and plugged their ears
Those were the times, the rooftop years
I have nothing left
That’s the way I want it
Double Gold
There is a difference
It was explained to me
Between the gold
And the platinum
And the double platinum
There are numbers
Weights and measures
There is no double gold
I read every figure
I seek every refuge
As the car rolls out of Philadelphia
Into the chalky hills of the county
Where people grow art in backyard sheds
That smell like lime and pretzels
There is a difference
It was explained to me
Between the gold
And the platinum
And the double platinum
There are fives
Ones and zeroes
There is no double gold
The strobe is set to twinkle
The night is winding down
The children scream for Lionel Richie
“Still” and “Truly” and it’s time to go
I find my father’s Volvo
His first one, the red one, the best one
There is a difference
It was explained to me
Between the gold
And the platinum
And the double platinum
Domestic sales
And giant gorillas
There is no double gold
(There is no double gold
Not anymore, no double gold)
I read every page
I watch every program
As my sister turns brown in the August sun
And my mother makes fences with strings
And my father works in the steel building
Near the restaurant that’s also a train
There is a difference
It was explained to me
Between the gold
And the platinum
And the double platinum
Domestic songs
About giant gorillas
There is no double gold
Two Bracelets
Two bracelets
One more than one
You’d expect one
You’d believe one
But two bracelets
Is like three eyes
A big surprise
One pure titanium
One purer black
We grasp what’s alone
We follow it home
But two bracelets
We leave on the street
Beneath our broken feet
She threw herself a birthday party
And told us what to bring
Though she lost her job for loving
The party eased the sting
We brought her songs of trouble
Songs of rage, songs of joy
We brought her songs for sleeping
She slept until she couldn’t anymore
Two bracelets
On one hand
On the other, none
Skin and scars
Found impressions
See two bracelets
Believe nothing
But a big surprise
One from childhood
One from last year
She calls one beautiful
But not the other one
One can be beautiful
But two bracelets
We cover our eyes
And run for the light
In the Low Light
He asked that they leave the door
To his dressing room closed, locked
From the outside
He asked for a bucket of ice
And a bottle of wine no younger
Than 1979
The last year he was famous enough
To make such demands
In bigger towns than this one
He asked that they keep the lights low
These haven’t been his best days
Not even close
He asked for a tray of vegetables
And a working sink to rinse them
Just in case
His enemies poisoned him
The way he deserved
In better days than these
He remembered to thank the crowd
And the man from the radio station
And the girl who brought him dinner
But not his wife who left him
Or his manager in jail
Or his record label
If he had one, he didn’t have one
Then he played
Then he sang
About horses and winter and wives who’ve left him
In the low light
He asked that they let the fans in
After the show, with flowers and gifts
And phone numbers
Written on saved ticket stubs
From the last time he came
To this town
When he filled up the amphitheater
On a Tuesday night in the rain
He asked again to let the fans in
But the manager shrugged and the girl
Who brought him dinner
Said let’s see what I can do
She came back with a bottle of wine
1981
Last year was a bad year she said
But tomorrow’s another night
Canadia
We’ve come from Canadia
With shovels and diaries
With “no ma’am” and “yes please”
We’ve come to work the land
Build the homes and plant the trees
Write our little histories
We’ve come with grand ideas
I imagine over there
A room of red, bright and spare
We’ve come to help you live
Silver platter carts on wheels
Fancy meats in fleshy sleeves
Don’t send us back to Canadia
We won’t go back to Canadia
We promise we’ll be good to you
We have English names, just like you
And some of us have killed, like you
Don’t send us back to Canadia
We won’t go back to Canadia
We’ve come from Canadia
With children and white horses
With men in hats and armed forces
We’ve come to settle here
We’ll build big houses on hills
Bilingual utility bills
We’ve come with grand ideas
I imagine there will be
A festive feast of soil and sea
We’ve come to save your soul
Mounds of dough with sugared beans
Jellyfish and seaweed green
Don’t send us back to Canadia
We won’t go back to Canadia
We promise we’ll be good to you
We’ve left the French ones, just like you
And some of us have killed, like you
Don’t send us back to Canadia
We won’t go back to Canadia
Limbs
If arms were merely limbs
We wouldn’t love with them
But we do and where were you
When half the world was half awake?
Sleeping, with your left arm holding your right
If skin were merely skin
We wouldn’t feel a thing
But we do and how can you
Pretend it doesn’t hurt when it does?
As we drive by the house at the top of the hill
With its scales and its warts and its sevens and its twos
With its overgrown grass and its elevator shoes
The Santa Ana Winds are high, it’ll be a scream
You’ve got some matches and I’ve got gasoline
But wait
I’ll slow down
I think the thing to do
Is take a breath or two
And drive by the house at the top of the hill
If we don’t look back it’s invisible
If we look ahead it’s dead
But ifs are ten cents for ten
And we gave all our change to the fountain at the mall
So let’s turn this car around and go in for the kill
Let’s drive to the house at the top of the hill
With its pus and its blood and its sixes and its nines
With its dead orange lilies and its trailer park vines
The neighborhood’s deserted and we’ve got the time
Let’s not kill for his sins. Let’s kill for his crime
If arms were merely limbs
We wouldn’t love with them
But we do and where were you
When half the world was half awake?
Sleeping, with your left arm holding your right
(all poems written around the turn of the century - 1999-2001 in Minneapolis, MN)
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